Music : Acoustic, Folk, Indie
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“The best rock ‘n’ roll is never preconceived,” says Dawes’ Taylor Goldsmith. “It’s almost a country mentality: ‘This is what we do. We write songs.’ That’s how it is for Dawes.”
A self-described “American rock ‘n’ roll band,” Dawes represent everything pure and true about that fundamental delineation, four talented friends making music together, fueled by a shared belief in the power of their songs. With Nothing Is Wrong, the Los Angeles-based band – singer/guitarist Goldsmith, his brother Griffin on drums, keyboardist Tay Strathairn, and bassist Wylie Gelber – continue to master their blend of singer/songwriter reflection with folk, country, and AOR-inspired arrangements, all ringing guitars, soaring harmonies, and heartfelt melodies. After spending much of the past two years on tour, songs like “Coming Back To A Man” and “Time Spent In Los Angeles” have a restless, unsettled quality evocative of life lived on the road. A collection of songs that expertly builds upon the template laid by 2009’s extraordinary debut, North Hills, Nothing Is Wrong sees Dawes displaying staggering growth and evolution while still manifesting their distinctive, unforgettable voice.
“We didn’t change up our approach too much and yet we were able to create something that I feel has a new identity from our first record,” Goldsmith says. “It’s definitely taking a step in a direction and at the same time, it’s maintaining what it needs to maintain.”
In 2009, Dawes emerged from the ashes of California combo Simon Dawes with North Hills, which drew instant acclaim for its rootsy revitalization of classic El Lay rock. And like any American rock ‘n’ roll band worth its salt, Dawes followed up by touring nearly non-stop. As a result, Goldsmith was only able to write during rare free moments, in the course of brief visits home or while crashing at a friend’s for a few days. No surprise then that songs like “My Way Back Home” and “How Far We’ve Come” (featuring Griffin on lead vocals) are redolent of van fumes and road dust, rich with weariness and longing and restive reflection.
Nothing Is Wrong captures both Dawes’ studio and stage approaches, matching the loose extemporaneity and crunchy dynamism of the band’s live sets with finely honed arrangements and deft musicianship. The album evinces the band’s self-assured strength right from the start by bursting off the blocks with the impossibly infectious “Time Spent In Los Angeles.” Throughout the record, Goldsmith’s lyrics evoke a powerful feeling of constant movement and endless fleeting moments. Songs like “The Way You Laugh” or the choogling “If I Wanted Someone” are wistful and melancholic, while the ruminative, piano-driven closing track “Little Bit Of Everything” (featuring lap steel guitarist Ben Peeler) is peopled with indelible characters encountered on his travels.